Another Failed Summit

Msgr. Charles Pope analyzes the missed opportunity commonly called the "Vatican Clergy Abuse Summit". Excerpt:

Regarding the second point, the silence—even outright refusal to discuss—the clear connection between the sexual abuse crisis and active homosexuality in the priesthood is a severe blow to credibility. That Cardinal Blase Cupich, a key organizer of the summit, denies a causal relationship between homosexual clergy and the fact that more than 80 percent of the victims have been post-pubescent males is not credible to most Catholics. There is simply no logical basis for such a claim, except perhaps among LBGTQ ideologues.

What does Cardinal Cupich fear from the LBGTQ mafia? Everyone knows he is wrong about this. The connection is clear.

Another favorite

I really dig the bass line on this one. Anyone trying to get into Talk Talk should probably start out with Colour of Spring. You can sense the direction they were going from CoS, but you could also still dance to it.



In my experience, one fanbase who always "got" post-"It's My Life" Talk Talk were the deadheads. Of course, they can dance to anything.

Mark Hollis, 1955-2019

Paul Webb, Talk Talk's bassist, posts on instagram:

I am very shocked and saddened to hear the news of the passing of Mark Hollis. Musically he was a genius and it was a honour and a privilege to have been in a band with him. I have not seen Mark for many years, but like many musicians of our generation I have been profoundly influenced by his trailblazing musical ideas. He knew how to create depth of feeling with sound and space like no other. He was one of the greats, if not the greatest.

Guardian has something longer. Excerpt:

The success of The Colour of Spring meant that Talk Talk had a bigger budget to play with on the follow-up, Spirit of Eden (1988), but Hollis’s musical thinking was now geared towards Debussy, Erik Satie and Ornette Coleman rather than other pop or rock acts. Spirit of Eden, with its startling musical textures, sudden changes of pace and interludes of silence, was as much a modern classical album as a pop record. Though many critics hailed it as a masterpiece and it reached the UK Top 20, EMI were frustrated at its lack of commercial selling points. After months of legal wrangling, band and label parted company.

With the band now reduced to Hollis and Harris, with Friese-Greene producing and playing keyboards, Talk Talk’s final album Laughing Stock (1991) was released by Polydor’s Verve label, and pushed the musical envelope a little further (it began with 18 seconds of silence). Though sombre and uncompromising, it reached 26 in the UK, a reflection perhaps of the strange, lingering allure of pieces such as Taphead and Ascension Day.

In short, everyone hated Talk Talk's post-Colour of Spring direction except for the longhairs. I was in a band when Spirit of Eden came out. We were nowhere near the genius of Hollis et alia; we listened to Spirit several times a week. The lyrics for I Believe in You were sort of a Jesus-prayer like mantra. ("Spirit... How long... Spirit... How long...")



Rest in peace, sir.

"Rage on omnipotent"