Showing posts with label empty rhetoric. Show all posts
Showing posts with label empty rhetoric. Show all posts

Thursday, February 12, 2015

Rod Dreher's Guilt, Implication, and The Emperor's New Clothes

I want to round out today's trifecta on what I'm going to be calling from now on Rod Dreher's signature "emperorography" by expanding on something Diane, Pik and I were discussing in the comments here, "emperorography" (because imperiography already means something different) now meaning that nebulous rhetorical gas Dreher frequently produces for marketing to credulous commenters who fear appearing stupid or uneducated by questioning him too closely about whether he actually said anything at all.

The title of the post, of course, already tips you off to the term's source.

This archetypal example of Dreherian emperorography began today in this tweet


originally hawking this post by Dreher disingenuously attempting to suggestively equate the brutality of ISIS with historically bad treatment of blacks in the American South in order to skim off his cut of discussion controversy first generated by President Obama in his recent prayer breakfast remarks.

When Regulus started poking too deeply, Dreher tried to buy him off with the "guilt v. implication" legerdemain - do you see the difference?

Frankly, no I didn't, but the suggestive effort itself immediately reminded me of this classic rhetorical grift:

"Isn't it a beautiful piece of goods?" the swindlers asked him, as they displayed and described their imaginary pattern.

"I know I'm not stupid," the man thought, "so it must be that I'm unworthy of my good office. That's strange. I mustn't let anyone find it out, though." So he praised the material he did not see. He declared he was delighted with the beautiful colors and the exquisite pattern. To the Emperor he said, "It held me spellbound."

All the town was talking of this splendid cloth, and the Emperor wanted to see it for himself while it was still in the looms. Attended by a band of chosen men, among whom were his two old trusted officials-the ones who had been to the weavers-he set out to see the two swindlers. He found them weaving with might and main, but without a thread in their looms.

"Magnificent," said the two officials already duped. "Just look, Your Majesty, what colors! What a design!" They pointed to the empty looms, each supposing that the others could see the stuff.


What colors! What a design! And, true to our tale, the weaving continued long into the day. Keep in mind that, as with the insatiable need for cowbell, the only cure for that Dreherian emperorography fever is more Dreherian emperorography.

Sorry: me, Keith, are a monkey with the mind of a child, and I just don't see no difference between guilt and implication, Rod. Unless of course you're only implying there's a difference without actually being guilty of claiming one.

What I do see, what Dreherian emperorography raises to a high art, is the sort of vapid, content-free lyrical writing typically found in fables about seagulls, Hallmark cards, and your random internet meme-generator:

"All of us are readers...but not all of us can read. See the difference?"

Nice work if you can get it.

Remember, credulous townfolk, "How Emperorography Can Save Your Life" (or something similar) will be available for your squinting, unworthy eyes the day before your taxes are due.

Oh - or, if not, why not a similar self-help tome from the same esteemed publisher?

Friday, January 29, 2010

Best commentary I've found on Obama's SOTU speech

Troy Senik is a speech writer who formerly wrote for G. W. Bush, Arnold Schwarzenegger and Newt Gingrich. And his dissection of Obama's State of the Union Speech is so choice that I'm not going to excerpt any of it here, you have to read the whole thing. But I will say I especially loved the part about "the President’s attempt to transfer the totemic appeal of some working-class hero to himself by placing him or her in the House gallery."